Florida Georgia Line Hit the Road With Nelly in Cruise Remix Video
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On August 24, 2013, it logged its 24th week at No. 1, the longest run at No. 1 in the chart's 69-year history (the previous record was 21 weeks held jointly by three songs, the last of which was Webb Pierce's "In the Jailhouse Now" from February to June 1955). It certainly makes sense that hip-hop influences felt as intuitive for FGL-generation country artists as for any others who have come of age since hip-hop became mainstream pop. Watching Nelly perform alongside the duo, though, is a stark reminder of how in that exchange of ideas, the money tends to only flow one way; that while it might feel like hip-hop is “in [FGL’s] DNA,” it’s not. The intervening years have brought more efforts by both FGL and Nelly (among a number of other well-intentioned and like-minded artists) to correct that inequity. But “Baby you a song” isn’t just like Country Grammar — it is country grammar, a grammar that is as influential in country music today as ever. The recording by Florida Georgia Line reached No. 16 on the Billboard Hot 100 on its initial release, but dropped off the Hot 100 in February 2013.
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"It's always good as a musician to dig deep sometimes, and sometimes to have a little fun," said Nelly, adding "and hopefully you have a successful life that allows you to create that mixture." Together and separately, the musicians had four shots at ruling the stage on Monday; the threesome kicked things off with "Cruise" (naturally), followed by Nelly blasting through a medley of his hits and a full-out version of "Heaven." Later on, FGL wrapped things up with "Round Here." One of rock's top photographers talks about artistry in photography, raising funds for a documentary, and enjoying a County Fair with Tom Waits. David Gray explains the significance of the word "Babylon," and talks about how songs are a form of active imagination, with lyrics that reveal what's inside us.
Decade-end charts
It was, indeed, a turning point, on a scale even larger than Rosen had foreseen. “Cruise” emerged at the dawn of the streaming age, when genreless consumption — already a dominant mode — was on the cusp of taking over. The unbothered blending of country, rock and hip-hop influences that became Florida Georgia Line’s specialty would reshape country’s commercial sound completely, to the chagrin of both traditionalists and outsiders — and expand its reach exponentially. The song is a mid-tempo in the key of B-flat major with a main chord pattern of B♭-F-Gm7-E♭.[14] It is about an attractive woman that the male narrator wants to cruise with in his pick-up truck. The country sensations paired up with the rap/R&B star to create one of summer's most unlikely hits, "Cruise," and had no problem working up a little sweat on what's a holiday for most of the rest of the country on Monday.
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“Cruise” would eventually take the top spot on the Hot Country Songs chart from Taylor Swift’s “We Are Never Ever Getting Back Together,” another take on Millennial-friendly country-pop crossover. Billboard Hot Country Songs chart for the week of August 11, 2012.[22] On the chart dated December 15, 2012, it reached No. 1 on the U.S. Billboard Country Airplay chart in only its 19th week, achieving the fastest climb to the top of the chart for a debut single since Heartland's "I Loved Her First" in October 2006.
‘GREAT F–KIN’ IDEA!’: How Florida Georgia Line & Nelly’s ‘Cruise’ Teamup Made (Controversial) History
The Nicolette Larson hit "Lotta Love" was written by Neil Young, who recorded a very different version of the song. "Irreplaceable" wasn't specifically penned for Beyonce - in fact, Ne-Yo wrote it more as a country song and had Faith Hill and Shania Twain in mind. The 'Cruise' remix video takes us from daylight dirt racing to dancing at night with the ladies. It celebrates the pursuit of a good time and how getting their fast is mission critical, so you can further enjoy the festivities. Pretty much whatever you think will happen in this video ...
He didn’t become that guy, signing FGL to Republic Nashville (a joint venture between Big Machine and Republic Records) in July 2012. Though there were some conversations inside the label about whether the satellite success of “Cruise” would translate over the terrestrial airwaves, and even whether they should send “Tip It Back” — a slightly more familiar-sounding song off the duo’s second EP — to radio first. Instead, they decided to move ahead with “Cruise,” and it made its way up the country charts.
Nelly Talks Working With Florida Georgia Line, Details His Forthcoming EP - CMT.com
Nelly Talks Working With Florida Georgia Line, Details His Forthcoming EP.
Posted: Tue, 15 Jun 2021 07:00:00 GMT [source]
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The remix peaked at No. 4 on the Hot 100, with the song spending 54 weeks total on the chart; it reached the top 10 on the Adult and Mainstream Top 40 charts as well, cementing its crossover appeal. Overall, the song is platinum 14 times over — diamond and then some — as of last October. All Billboard chart metrics and RIAA certifications combine the numbers for the original version with the remix, so it’s hard to know which record ultimately proved to be the most popular. But there’s no question that it was the remix that sparked “Cruise” to ubiquity — to the impossible-to-ignore success that made the song the line between one era of country music and another.
A couple of months later, a remix by rapper Nelly was released, and the song then re-entered the top 10.[8] The song reached a peak of No. 4 on the Hot 100 chart in its 34th week, one of the slowest climbs to the top five in the chart's history. The song also logged 24 weeks at No. 1 on Hot Country Songs, becoming the longest-running No. 1 single on that chart at the time, until it was surpassed in 2017 by Sam Hunt's "Body Like a Back Road". The push and pull between progressive-minded inclusion and the genre-agnostic artistry it can create, and appropriation — from barely perceptible to egregious and everything in between — lives within “Cruise” and its legacy.
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But then again, you don't want any jolts or unexpected moments. 'Cruise' is a fast, fun song that invites plenty of dancing along and a little acceleration when it comes to the gas pedal. They credit Moi with the idea of dropping the verb. “He kept saying, ‘Something just doesn’t feel right — the syllable just needs to hit on this beat,'” Kelley recalls. “At first you’re kind of married to [the original], but eventually it was like, ‘Oh, that is better.'” That decision made the hook both a lot smoother, and a lot closer to African American Vernacular English.
The song-about-a-song is a straightforward-sounding, meticulously-constructed earworm that hinges on the most appealing and specific version of the now-ubiquitous masculine country checklist (lusty descriptions of women, backroads, trucks). It turned out to be something of a “generational gauntlet,” as critic Jody Rosen puts it — particularly in the form of its blockbuster Nelly-featuring remix, released 10 years ago this week. Its massive success colored much of what came after its 24 record-breaking weeks atop the Hot Country Songs chart, whether that was songs trying to imitate it or the tidal wave of critical backlash. When the song reached its tenth week atop Hot Country Songs on May 18, 2013, it became the second song (Taylor Swift's "We Are Never Ever Getting Back Together") to spend that many weeks at No. 1 since Buck Owens's "Love's Gonna Live Here" (16 weeks between October 1963 and February 1964).
You'd Never Say They Weren't Country: The Brand That Built Florida Georgia Line - VICE
You'd Never Say They Weren't Country: The Brand That Built Florida Georgia Line.
Posted: Wed, 13 Mar 2019 07:00:00 GMT [source]
When "When I Think of You" hit #1, Janet and Michael Jackson became the first siblings with chart topping solo hits in the United States. On January 6, 2014, Billboard announced “Cruise” as the #1 Top Selling Country Digital Song of All Time as recorded by Nielson SoundScan. Jesse Rice, Chase Rice and Kelley — Hubbard was called away for some long-forgotten work obligation — had gotten together to write at Jesse’s house. They were working on a ballad called “When God Runs Out of Rain,” and felt pretty good about it — good enough to take a lunch break. As they sat back down to finish the song after lunch, Kelley started strumming the chords G-D-Em-C – a progression that Jesse had used as the backbone to a rap medley during long cover gigs.
The track was first released as the opening track for their EP It'z Just What We Do, but was also added, along with the rest of the EP, to their debut studio album for Republic Nashville, titled Here’s to the Good Times, also as the opening track. A smiling country song with veneers, it combined the rabid, over-the-top party spirit of the EDM era with an enviably carefree, breezy backroads affect. Nelly’s verse, in which he rehashes the chorus with characteristic panache, is the cherry on top — the ultimate nostalgic, full-circle moment for an artist whose professional debut centered on touting his country bona fides.
The song’s victory, though, was the integration of a Black hip-hop artist into a huge hit that anyone asked would call country, and the destruction, however temporarily, of the fundamental, racist genre divide that has defined American recorded music from the start. The music video was directed by Brian Lazzaro and premiered in August 2012. It was filmed outside Nashville, and featured the duo driving and performing against an American flag backdrop at a colorful paint party, and showed shots of women as well as a game of strip poker.[21] In the remix, it features the duo, Nelly, and another friend of theirs, driving down a road. It shows shots of women on vehicles and riding with the men in the men's cars as they go down the country roads. "Cruise" was already a hit for the duo before Nelly stepped in with a remixed version, and it took off all over again.
The song was also a great chance for the members of FGL (Tyler Hubbard and Brian Kelley) to meet up with one of their favorite artists, who happened to be on their label. "I've been a huge fan of Nelly since middle school," said Hubbard. In the meantime, Moi has found a new vehicle for rewriting country chart history with the same seemingly supernatural sensitivity to what listeners want in Morgan Wallen, whose music does bear shared DNA with what Rosen calls FGL’s “unselfconscious” genre-bending.
A caravan of fast cars, having their way with dusty, deserted roads? A bevy of chicks, each one more beautiful than the next? FGL's Brian Kelley and Tyler Hubbard making goofy faces while dancing to their infectious song? Nelly dropping verses and getting frisky with a sexy female cop who pulls his ride over? If you're looking for surprises, well, you'll have to go elsewhere -- you won't find any here.
One of Wallen’s biggest early breaks, 2017’s “Up Down” — his first Country Airplay chart-topper — included a guest spot for FGL. “The very first time we worked in the studio together, it was partially about breaking them of the mentality that going in to record the song doesn’t mean it’s done,” says Moi. “Let’s dig back into these lyrics and make this better.” So they tinkered, “tightening the screws” on the lyrics, as Kelley describes it, for a few hours — distilling the song’s core idea into a pop monolith. “Cruise” is a thoughtful and upbeat track comparing a girl to Tennessee country-rock band, Florida Georgia Line’s favorite pastimes.
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